Just a brief recapped. I briefly talk about the scale of this year Motor show and further discuss about the impact of mixed lighting that influence the camera exposure setting in my first two parts of this series.
Lately, I received some positive feedback on the subject of composition. I appreciate all the compliments in this regards.
Before I attempt to discuss further on composition, I must first admit that I do not have in depth experience compared to my runway photography to enable me to share knowledge about composition in this area. But again, I think the rules of composition are basically similar between the two.
先来一个简短的重述。我在这系列的前两部分，除了简要谈谈今年车展的规模外，并进一步讨论了混合照明对相机曝光的影响。
最近，我收到对这系列构图运用的一些积极性的反馈。我忠诚的感谢所有在这方面给予小弟的正面鼓励。
在我尝试讨论构图运用前必须先阐明, 相比在时尚跑道的摄影经验; 我在车展秀场就没有太深入的经验可与大家分享了。我想, 基本上对于秀模们在秀场的取景和构图法则应该是大同小异吧!
Perhaps, I can share some of my initial thoughts and what I want to my final works to be when I first step into the hall. Firstly, I walk around few main exhibition booths to access the lighting conditions and to observe the model's posing positions.
With that, I usually fired few test shots (start with my lovely wife posing beside the car, off course) to ascertain the correct camera exposure. This part is vita (IMHO) to any event photographers to ensure that the camera's white balance, ISO and exposure setting are working to their indivudual preference.
也许我可以从我一踏进这车展大厅最初的一些构图运用想法开始吧! 首先，我会围绕几个主要展览摊位去看看有关的照明条件和女模们摆姿的位置。
就这样我先试拍几张（当然是先拍内子啦!)以确定正确的相机曝光。这部分是对秀场摄影师非常重要的，可确保相机的正确白平衡，ISO和曝光设置到个人或工作上的偏好。
From the observation, I know I must get a clearer simple background and the only way to avoid the busy background is to shoot from a lower angle. I just make sure that I do not place my camera too low to avoid any unnecessary misunderstanding from the model at work. (You know, miniskirt thing !)
I think it's a basic manners whenever a portrait or event photographer point their camera towards any female model.
Usually, female model will appreciate and feel more comfortable once she notice a photographer is respecting their work. It's that mutual respect that enable me to capture some of very exclusive eyes contact photos as displayed in these articles.
When completed your shots, always return a smile and show your appreciation to the model for her hard works before looking into the LCD. I strongly believe that whenever you return to her again later , she will remember you and thus you get some really stunning eyes contact and friendly smile.
从观察中我知道构图上必需要一个更简约的背景，只有从一个较低的角度拍摄才能避免杂乱的背景破坏构图。当在低角度拍摄时，我会尽我所能不要把我的相机放的太低，以避免对工作中的女模产生任何不必要的误会。(你知道吧~超短裙！）
我认为这是每当我们拍摄任何一位女模时必备的一个基本礼貌。
通常, 一旦女模们发觉一位尊重他们工作的摄影师时她们也会感到舒适和欢迎你继续拍摄地! 在这样的一个相互尊重的前提下，使我能捕捉到一些非常舒适,有眼神交流的照片呈现在这几篇文章中。
当 完成了拍摄先别忙往LCD看，应先对为你辛苦摆姿的女模们回一个微笑，向她们表示感谢。有礼貌和尊重女模工作的摄影师当前的确买少见少了, 所以每当再回去拍同一位女模时，我深信她一定会记得你(的微笑和礼貌交流)，所以大多情况下都能得到一些真正令人惊叹的目光接触和交流。
It seems like the basic techniques of composition is very simple. But to capture the true friendly smile, eye contact is far exceeded than merely maintaining an appropriate viewing angle, simple background and placing the model at the correct position following the rules of composition.
That's just some of my little tricks employed, I'm sorry if I do not touch on the composition but I think a photo with friendly smile and eyes contact is far greater than any photos that follow strictly the rules of composition.
As one of the famous Japanese photographer ~ Araki Nobuyoshi said: " I spend half of my life in searching the perfect composition, the sad outcome is, there are just not important at all!"
基本的构图技巧看来像是很简单。但我认为能捕捉到真正友善的笑容, 有感情的眼神交流远比一张以端正完整构图定律所拍摄出来的作品使能触动人心! 这又远远地超出只保持适当取景角度,简约背景和等到女模们进入九宫构图交义点摆姿作态时开始粗野地疯狂按快门了。
就如日本攝影大师荒木經惟(Araki Nobuyoshi)说的:"我花了大半时间研究照片的构图，结果就是，那些并不重要!"
荒木经惟大师也说过:摄影就是3P (性爱三人组)。意思是:被摄者、摄影师、相机三个条件缺一不可。人像照尤其是呀~如何让被摄者自然的呈现最原始的面貌和镜头、摄影师交流才是学问。如果用远镜头来偷拍，也只是得到身体，得不到灵魂呀~~!!"
以下这两张我想应该是荒木經惟老师所谓的"得到身体而不得灵魂"了.
这是我在这篇想分享的个人小窍门!
Further Reading:
1. You may want to read the Part 1 HERE
2. You may want to read the Part 2 HERE
3. 有关我对日本攝影大师荒木經惟的文章 -> 富士X100的广告《浪攝流》对自己摄影中的启发!
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